Located in Hollywood, CA, Flaming Angel Films | The Edit Studio is a boutique-editing firm and Indie Film production company. We’re currently in post-production on a feature film documentary, as well as post-prod on many other projects (http://www.flamingangelfilms.com). We’re seeking several teammates:

1) Producer’s Assistant – PAID: We’re seeking a stellar multi-tasker for our production/personal assistant to aid the Producer. This 2-3 days a week job (with room for advancement) will include aiding in accounting, web & online presence and client relations. This is a great opportunity for up-and-comers.
Requirements: Candidates must be meticulous, diligent, highly organized, with strengths in: communication skills, multi-tasking, follow-through. With keen attention to detail. Candidates should be Mac and PC proficient, and personable attitude is an insurmountable minus. Must be eager to contribute on all levels of production from making coffee to handling VIP clients. Extra consideration for candidates with these skills: Data Management, QuickBooks, Final Cut Pro, Indie Film World, Bachelor’s degree with major in TV or Film Production and/or training equivalent of education preferred. Paid Position.

Email resumes to: info@flamingangelfilms.com and note “Assistant via CLIST” in the subject of your email.

2) PRODUCERS APPRENTICE / INTERNSHIP- Unpaid
Production Assistant Internships available for 2 interns. We will offer credits, networking opportunities and an awesome experience. We’re seeking teammates for hands-on-training in producing. Apprenticeship will include bi-weekly classes, and candidates must be available on Saturday mornings.
Requirements: Candidates must be willing to commit at least 15-20 hrs per week and MUST have a down-to-earth attitude, an excitement to learn, and a strong desire to WORK in the industry. Additionally, candidates must be highly motivated, organized, Mac proficient and be willing to work. Email your resumes with a brief cover letter to: info@flamingangelfilms.com. Please note “Producing Apprenticeships via CLIST” in subject of email.

3) APPRENTICE EDITOR: Unpaid
Are you an at home self-taught editor who wants to learn to become a professional? We’re also seeking an apprentice FinalCutPro editor. This is a very special opportunity to work on a feature documentary under the guidance of a highly experienced editor and mentor. Your mentor will guide you in all aspects of editing on films, shorts, and podcasts. This is a minimum 4-month commitment. In exchange for your work, the mentor will train you in an intensive course designed to teach you the ins and outs of editing and the industry. Candidate MUST be serious about becoming an editor and must be willing to shed non-compliant habits. Candidate will be joining the Apprenticeship program midway, hence they must be highly Mac proficient, technically curious & have the basic knowledge of Final Cut Pro to be on par with the other teammates.
Other musts: Self-starting independent thinker, able to adapt without fuss and able to deal with tight deadlines under pressure. A display of prior interest in editing, and a minimum of 20 hours a week are critical. Although this is an unpaid position, the amount you’ll learn will far out weigh any dollar figure. Submit your resume, brief biography, a list of software mastered, and a cover letter describing why you should be our next apprentice editor. Send to: office@flamingangelfilms.com. Please note “Editing Apprenticeships via CLIST” in subject of email

4) BOOKKEEPER
For a paid position of Bookkeeper for Flaming Angel Films & The Edit Studio.  You must be PC proficient with QuickBooks Bookkeeping experience to help get our production company’s books in shape for filing.

JOB REQUIREMENTS: You must be meticulous, diligent, highly organized, good with numbers, and have good problem solving skills. Seeking someone who is available several hours a week (flexible but preferably Saturday) Pay is based on experience

Please email resumes to: info@flamingangelfilms.com and put “Bookkeeper” in the subject. No calls please. Visit www.flamingangelfilms.com & 1245Vine.com Please include at least 3 References Required.

Tonight Kathryn Bigelow is the first woman director to ever win an Academy Award for Best Director or for Best Motion Picture.  Three have been nominated for Best Director – but none have ever won before tonight.  Such a groundbreaking night for equality.  We’ve only just begun!!

MoviesByWomen.com officially supports Kathryn Bigelow for Best Director for HURT LOCKER at the upcoming 2010 Academy Awards.  Bigelow (born November 27, 1951) is an American film director, working in the science fiction, action and horror genres. She won the 2009 Directors Guild of America award for Outstanding Directorial Achievement in Motion Pictures for directing her latest motion picture, The Hurt Locker, the first woman to do so. She was nominated for the  2009 Golden Globe and we hope she will win the Oscar for her direction of that film. In 2010, she became the fourth woman to be nominated for an Academy Award for Best Director after Lina Wertmüller for Seven Beauties (1976), Jane Campion for The Piano (1993) and Sofia Coppola for Lost in Translation (2003).

The Hurt Locker Press Reviews New York Times “The Hurt Locker,” directed by Kathryn Bigelow from a script by Mark Boal, is the best non-documentary American feature made yet about the war in Iraq. – A.O. Scott

Roger Ebert “The Hurt Locker” is a spellbinding war film by Kathryn Bigelow, a master of stories about men and women who choose to be in physical danger. She cares first about the people, then about the danger.

The Hollywood Reporter The definitive film about the U.S. involvement in Iraq has yet to be made, and “The Hurt Locker” doesn’t aspire to compete in the category. Tensely action-packed and muscularly directed by Kathryn Bigelow, this tale of an elite U.S. army bomb disposal unit in Baghdad is a familiar story in new clothes, targeted at the young male demographic. – Deborah Young

Variety War may be hell, but watching war movies can also be hell, especially when they don’t get to the point. Often gripping at a straight thriller level, but increasingly weakened by its fuzzy (and hardly original) psychology, Kathryn Bigelow’s “The Hurt Locker,” centered on an elite U.S. bomb squad in Baghdad, doesn’t bring anything new to the table of grunts-in-the-firing-line movies. – Derek Elley

www.moviesbywomen.com
FEATURES DIRECTED by WOMEN

————————————————
>> PREMIERING week of November 20, 2009

Buy opening weekend tickets for films directed by women.

++ William Kunstler: Disturbing the Universe directed by
Emily and Sarah Kunstler
Opens in L.A.

\===================================/

>> SPONSORSHIP

If you’re interested in placing an ad for sponsorship, please
email us for rates. If you have a newsworthy event that you’d
like to be considered for an upcoming blog listing, podcast, or
FWGroup event, simply reply to this email.

————————————————

Edit Studio Sale!! Get a New Apple MacBook Pro Laptop (great
for a Final Cut Pro edit bay!!) with phat-monitors and studio
quality speakers, an Apple G5 dual-processor, Multi-format VCR/DVD,
Samsung SyncMaster monitors, Unused Adobe software, and LOTS
more tech equipment! Also available: an awesome office leather
chair set, antique lamps, perfect-condition Ikea desks, tables
and so much more! Amazing prices – will negotiate.
Contact info@flamingangelfilms.com for our full list w/photos
or call (323) 463-1996 for more information.
Read the rest of this entry »

www.moviesbywomen.com
FEATURES DIRECTED by WOMEN

————————————————
>> PREMIERING week of November 13, 2009

Buy opening weekend tickets for films directed by women.

++ The Hand of Fatima directed by Augusta Palmer
Opens in New York

++ William Kunstler: Disturbing the Universe
directed by Emily and Sarah Kunstler
Opens in New York

++ Ten9Eight directed by Mary Mazzio
Opens in New York

++ The Good Soldier directed by Lexy Lovell & Michael Uys

++ The Little Traitor directed by Lynn Roth

++ Love Hurts directed by Barra Grant
Read the rest of this entry »

www.moviesbywomen.com
FEATURES DIRECTED by WOMEN

————————————————
>> PREMIERING week of November 6, 2009

Buy opening weekend tickets for films directed by women.

++ Act of God directed by Jennifer Baichwal
Opens in N.Y.

++ Died Young, Stayed Pretty directed by Eileen Yaghoobian
Opens in L.A.

++ The Wedding Song directed by Karin Albou
Opens in L.A.

Current but check your local listings.

\===================================/

>> SPONSORSHIP

If you’re interested in placing an ad for sponsorship, please
email us for rates. If you have a newsworthy event that you’d
like to be considered for an upcoming blog listing, podcast, or
FWGroup event, simply reply to this email.

————————————————

Edit Studio Sale!! Get a New Apple MacBook Pro Laptop (great
for a Final Cut Pro edit bay!!) with phat-monitors and studio
quality speakers, an Apple G5 dual-processor, Multi-format VCR/DVD,
Samsung SyncMaster monitors, Unused Adobe software, and LOTS
more tech equipment! Also available: an awesome office leather
chair set, antique lamps, perfect-condition Ikea desks, tables
and so much more! Amazing prices – will negotiate.
Contact info@flamingangelfilms.com for our full list w/photos
or call (323) 463-1996 for more information.
Read the rest of this entry »

REVIEW Precious: Based on the Novel Push by Sapphire/ (Link to IMDB.com)

Last night I had the opportunity to see PRECIOUS with a Q&A after with director Lee Daniels by John Singleton at the Director’s Guild of America in Los Angeles, CA.  PRECIOUS is based on a novel called PUSH, but I prefer the name PRECIOUS for the film.  Daniels produced MONSTER’S BALL, THE WOODSMEN, and SHADOWBOXER.  He’s a very talented filmmaker in many ways, but PRECIOUS left me with the most incredible unsettled feeling that has lingered throughout this entire day.

PRECIOUS is a 355-pound teenage girl living in the most horrendous circumstances.  As the film unravels, we see the horrors she has faced in her life.  The film is amazing and awful all at once not due to poor filmmaking, but because the content is so disturbing.  I think it is a MUST WATCH film and don’t want to make my words “awful” make it seem like the filmmaking is awful – far from it.  I do have issues with several aspects of the film’s plot, but all of this is insignificant compared to the outrageously outstanding performances from the lead unknown actress playing Precious (Gabourey ‘Gabby’ Sidibe).  Additionally, Mariah Carey shocked me with her moving portrayal of a New York City social worker.  Without makeup for the role, I often questioned myself about whether it was really Mariah since I did not know she was such an excellent actress.  Finally, the uber-talented Mo’Nique delivers a tour-de-force show as her abusive mother.  These are all Oscar-winning performances and each actress should be able to be awarded one of her own.

Lee Daniels took a risk making this film and he should be applauded for making such a moving and disturbing movie.  This is real-life and it’s incredible that this is not a documentary.  In the Q&A, John Singleton mentioned that te film reminded him of the Italian neo-realist style.  I agree that it is along those lines, but it takes life much deeper and more frightening than any Italian neo-realist film I’ve ever seen.

I do want to warn anyone that has had an abusive past since this movie could easily shake up many memories and emotions for anyone with PTSD.  I also want to say that the type of horrors that Precious faced are not just experienced in the African-American community – this is a universal story which is likely why its success confounded the director who had originally only planned it to play well with black audiences.  I do have some fundamental issues with the film, but if I allow myself to be lost in the story and characters then the great debates in my mind are quieted.

The one nagging question I have about this project is this – would the film be equally accepted and successful if a female filmmaker had made it?  Sadly, I don’t think it would.  I believe that it would not have received as much press or accolades.  But that said, I am glad that someone told this story.

www.moviesbywomen.com

FEATURES DIRECTED by WOMEN

————————————————

++ PREMIERING week of October 29, 2009

Buy opening weekend tickets for films directed by women.

+ No women-directed films premiering this weekend

Current but check your local listings.

\===================================/

++ SPONSORSHIP

If you’re interested in placing an ad for sponsorship, please
email us for rates. If you have a newsworthy event that you’d
like to be considered for an upcoming blog listing, podcast, or
FWGroup event, simply reply to this email.

————————————————

Edit Studio Sale!! Get a New Apple MacBook Pro Laptop (great
for a Final Cut Pro edit bay!!) with phat-monitors and studio
quality speakers, an Apple G5 dual-processor, Multi-format VCR/DVD,
Samsung SyncMaster monitors, Unused Adobe software, and LOTS
more tech equipment! Also available: an awesome office leather
chair set, antique lamps, perfect-condition Ikea desks, tables
and so much more! Amazing prices – will negotiate.

Contact info@flamingangelfilms.com for our full list w/photos
or call (323) 463-1996 for more information.
Read the rest of this entry »

Todd McCarthy of Variety reviews Jane Campion’s latest film “Bright Star,” as a “beautifully made film possessing solid appeal for specialized audiences in most markets” and that its director, Campion, “…brings piercing insight into the emotions and behaviors of her characters.”

Read the full review here:

Bright Star Review – Variety Magazine

BRIGHT STAR (2009)

A Pathe, Screen Australia, BBC Films and the UK Film Council presentation in association with the New South Wales Film and Television Office and Hopscotch International of a Jan Chapman production in association with Carole Hewitt. (Internationa sales: Pathe International, London.) Produced by Chapman, Hewitt. Executive producers, Francois Ivernel, Cameron McCracken, Christine Langan, David M. Thompson. Directed, written by Jane Campion, with research from the biography “Keats” by Andrew Motion.

“Fanny Brawne” – Abbie Cornish
“John Keats” – Ben Whishaw
“Mr. Brown” – Paul Schneider
“Mrs. Brawne” – Kerry Fox
“Toots” – Edie Martin
“Samuel” – Thomas Brodie-Sangster
“Maria Dilke” – Claudie Blakley
“Charles Dilke” – Gerard Monaco
“Abigail” – Antonia Campbell-Hughes

Camera (Technicolor), Greig Fraser; editor, Alexandre de Franceschi; music, Mark Bradshaw; production, costume designer, Janet Patterson; supervising art director, David Hindle; art director, Christian Huband; set decorator, Charlotte Watts; sound (Dolby Digital), John Midgley; make-up and hair designer, Konnie Daniel; line producer, Emma Mager; assistant director, Mike Elliott; casting, Nina Gold.

Reviewed at Cannes Film Festival (competing), May 15, 2009.

Running time: 119 MIN.

We currently have a Production Internship position available.  We will offer credits, networking opportunities and awesome experience.  We’re seeking teammates for hands-on-training in each of these three areas: editing, producing, writing (online and for Podcasts), and website maintenance.  Applicants must be willing to commit at least 15 hrs per week and MUST have a down-to-earth attitude, an excitement to learn, and a strong desire to WORK in the industry.   Additionally, candidates must be highly motivated, organized, Mac & PC proficient and be willing to work.    Email resumes to: danielle@flamingangelfilms.com.  Please note “internship via MBW” in subject of email.