The Movies By Women weblog. Fresh yet wry female-oriented filmmaking news.

FIRST WEEKENDERS GROUP WEEKLY UPDATE

November 20th, 2009 by liz

www.moviesbywomen.com
FEATURES DIRECTED by WOMEN

————————————————
>> PREMIERING week of November 20, 2009

Buy opening weekend tickets for films directed by women.

++ William Kunstler: Disturbing the Universe directed by
Emily and Sarah Kunstler
Opens in L.A.

\===================================/

>> SPONSORSHIP

If you’re interested in placing an ad for sponsorship, please
email us for rates. If you have a newsworthy event that you’d
like to be considered for an upcoming blog listing, podcast, or
FWGroup event, simply reply to this email.

————————————————

Edit Studio Sale!! Get a New Apple MacBook Pro Laptop (great
for a Final Cut Pro edit bay!!) with phat-monitors and studio
quality speakers, an Apple G5 dual-processor, Multi-format VCR/DVD,
Samsung SyncMaster monitors, Unused Adobe software, and LOTS
more tech equipment! Also available: an awesome office leather
chair set, antique lamps, perfect-condition Ikea desks, tables
and so much more! Amazing prices – will negotiate.
Contact info@flamingangelfilms.com for our full list w/photos
or call (323) 463-1996 for more information.
Read the rest of this entry »

Posted in First Weekenders Group | 1 Comment »

FIRST WEEKENDERS GROUP WEEKLY UPDATE

November 13th, 2009 by liz

www.moviesbywomen.com
FEATURES DIRECTED by WOMEN

————————————————
>> PREMIERING week of November 13, 2009

Buy opening weekend tickets for films directed by women.

++ The Hand of Fatima directed by Augusta Palmer
Opens in New York

++ William Kunstler: Disturbing the Universe
directed by Emily and Sarah Kunstler
Opens in New York

++ Ten9Eight directed by Mary Mazzio
Opens in New York

++ The Good Soldier directed by Lexy Lovell & Michael Uys

++ The Little Traitor directed by Lynn Roth

++ Love Hurts directed by Barra Grant
Read the rest of this entry »

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FIRST WEEKENDERS GROUP WEEKLY UPDATE

November 6th, 2009 by liz

www.moviesbywomen.com
FEATURES DIRECTED by WOMEN

————————————————
>> PREMIERING week of November 6, 2009

Buy opening weekend tickets for films directed by women.

++ Act of God directed by Jennifer Baichwal
Opens in N.Y.

++ Died Young, Stayed Pretty directed by Eileen Yaghoobian
Opens in L.A.

++ The Wedding Song directed by Karin Albou
Opens in L.A.

Current but check your local listings.

\===================================/

>> SPONSORSHIP

If you’re interested in placing an ad for sponsorship, please
email us for rates. If you have a newsworthy event that you’d
like to be considered for an upcoming blog listing, podcast, or
FWGroup event, simply reply to this email.

————————————————

Edit Studio Sale!! Get a New Apple MacBook Pro Laptop (great
for a Final Cut Pro edit bay!!) with phat-monitors and studio
quality speakers, an Apple G5 dual-processor, Multi-format VCR/DVD,
Samsung SyncMaster monitors, Unused Adobe software, and LOTS
more tech equipment! Also available: an awesome office leather
chair set, antique lamps, perfect-condition Ikea desks, tables
and so much more! Amazing prices – will negotiate.
Contact info@flamingangelfilms.com for our full list w/photos
or call (323) 463-1996 for more information.
Read the rest of this entry »

Posted in First Weekenders Group | 1 Comment »

PRECIOUS/LEE DANIELS

November 5th, 2009 by Tara Veneruso


REVIEW Precious: Based on the Novel Push by Sapphire/ (Link to IMDB.com)

Last night I had the opportunity to see PRECIOUS with a Q&A after with director Lee Daniels by John Singleton at the Director’s Guild of America in Los Angeles, CA.  PRECIOUS is based on a novel called PUSH, but I prefer the name PRECIOUS for the film.  Daniels produced MONSTER’S BALL, THE WOODSMEN, and SHADOWBOXER.  He’s a very talented filmmaker in many ways, but PRECIOUS left me with the most incredible unsettled feeling that has lingered throughout this entire day.

PRECIOUS is a 355-pound teenage girl living in the most horrendous circumstances.  As the film unravels, we see the horrors she has faced in her life.  The film is amazing and awful all at once not due to poor filmmaking, but because the content is so disturbing.  I think it is a MUST WATCH film and don’t want to make my words “awful” make it seem like the filmmaking is awful – far from it.  I do have issues with several aspects of the film’s plot, but all of this is insignificant compared to the outrageously outstanding performances from the lead unknown actress playing Precious (Gabourey ‘Gabby’ Sidibe).  Additionally, Mariah Carey shocked me with her moving portrayal of a New York City social worker.  Without makeup for the role, I often questioned myself about whether it was really Mariah since I did not know she was such an excellent actress.  Finally, the uber-talented Mo’Nique delivers a tour-de-force show as her abusive mother.  These are all Oscar-winning performances and each actress should be able to be awarded one of her own.

Lee Daniels took a risk making this film and he should be applauded for making such a moving and disturbing movie.  This is real-life and it’s incredible that this is not a documentary.  In the Q&A, John Singleton mentioned that te film reminded him of the Italian neo-realist style.  I agree that it is along those lines, but it takes life much deeper and more frightening than any Italian neo-realist film I’ve ever seen.

I do want to warn anyone that has had an abusive past since this movie could easily shake up many memories and emotions for anyone with PTSD.  I also want to say that the type of horrors that Precious faced are not just experienced in the African-American community – this is a universal story which is likely why its success confounded the director who had originally only planned it to play well with black audiences.  I do have some fundamental issues with the film, but if I allow myself to be lost in the story and characters then the great debates in my mind are quieted.

The one nagging question I have about this project is this – would the film be equally accepted and successful if a female filmmaker had made it?  Sadly, I don’t think it would.  I believe that it would not have received as much press or accolades.  But that said, I am glad that someone told this story.

Posted in REVIEWS | No Comments »

FIRST WEEKENDERS GROUP WEEKLY UPDATE

October 30th, 2009 by liz

www.moviesbywomen.com

FEATURES DIRECTED by WOMEN

————————————————

++ PREMIERING week of October 29, 2009

Buy opening weekend tickets for films directed by women.

+ No women-directed films premiering this weekend

Current but check your local listings.

\===================================/

++ SPONSORSHIP

If you’re interested in placing an ad for sponsorship, please
email us for rates. If you have a newsworthy event that you’d
like to be considered for an upcoming blog listing, podcast, or
FWGroup event, simply reply to this email.

————————————————

Edit Studio Sale!! Get a New Apple MacBook Pro Laptop (great
for a Final Cut Pro edit bay!!) with phat-monitors and studio
quality speakers, an Apple G5 dual-processor, Multi-format VCR/DVD,
Samsung SyncMaster monitors, Unused Adobe software, and LOTS
more tech equipment! Also available: an awesome office leather
chair set, antique lamps, perfect-condition Ikea desks, tables
and so much more! Amazing prices – will negotiate.

Contact info@flamingangelfilms.com for our full list w/photos
or call (323) 463-1996 for more information.
Read the rest of this entry »

Posted in First Weekenders Group | No Comments »

A MUCH DESERVED REVIEW FOR JANE CAMPION’S “BRIGHT STAR”

October 14th, 2009 by Tara Veneruso

Todd McCarthy of Variety reviews Jane Campion’s latest film “Bright Star,” as a “beautifully made film possessing solid appeal for specialized audiences in most markets” and that its director, Campion, “…brings piercing insight into the emotions and behaviors of her characters.”

Read the full review here:

Bright Star Review – Variety Magazine

BRIGHT STAR (2009)

A Pathe, Screen Australia, BBC Films and the UK Film Council presentation in association with the New South Wales Film and Television Office and Hopscotch International of a Jan Chapman production in association with Carole Hewitt. (Internationa sales: Pathe International, London.) Produced by Chapman, Hewitt. Executive producers, Francois Ivernel, Cameron McCracken, Christine Langan, David M. Thompson. Directed, written by Jane Campion, with research from the biography “Keats” by Andrew Motion.

“Fanny Brawne” – Abbie Cornish
“John Keats” – Ben Whishaw
“Mr. Brown” – Paul Schneider
“Mrs. Brawne” – Kerry Fox
“Toots” – Edie Martin
“Samuel” – Thomas Brodie-Sangster
“Maria Dilke” – Claudie Blakley
“Charles Dilke” – Gerard Monaco
“Abigail” – Antonia Campbell-Hughes

Camera (Technicolor), Greig Fraser; editor, Alexandre de Franceschi; music, Mark Bradshaw; production, costume designer, Janet Patterson; supervising art director, David Hindle; art director, Christian Huband; set decorator, Charlotte Watts; sound (Dolby Digital), John Midgley; make-up and hair designer, Konnie Daniel; line producer, Emma Mager; assistant director, Mike Elliott; casting, Nina Gold.

Reviewed at Cannes Film Festival (competing), May 15, 2009.

Running time: 119 MIN.


Posted in Film Festivals, Movies By Women, Out in Theaters, Uncategorized | No Comments »

HIRING PRODUCTION INTERN – FILM INDUSTRY POSITION

October 9th, 2009 by Tara Veneruso

We currently have a Production Internship position available.  We will offer credits, networking opportunities and awesome experience.  We’re seeking teammates for hands-on-training in each of these three areas: editing, producing, writing (online and for Podcasts), and website maintenance.  Applicants must be willing to commit at least 15 hrs per week and MUST have a down-to-earth attitude, an excitement to learn, and a strong desire to WORK in the industry.   Additionally, candidates must be highly motivated, organized, Mac & PC proficient and be willing to work.    Email resumes to: danielle@flamingangelfilms.com.  Please note “internship via MBW” in subject of email.

Posted in Industry News, Uncategorized | No Comments »

REVIEWS BY YOU

September 8th, 2009 by Tara Veneruso

We’re in the middle of a website upgrade which will include a new section on film reviews written by our readers.  While this portion of our site is being built we’d love to hear from you – if you’d like to send in film reviews on any movie with strong women leads, women directors, or writers – send them to us and we’ll publish them right here.  The film can be hitting theaters, DVD, or even a webseries or podcast. >> MOVIESBYWOMEN.COM.

Posted in Movies By Women, Out in Theaters | No Comments »

LOST GENERATION – ESSAY ON EQUALITY

August 16th, 2009 by Tara Veneruso

LOST GENERATION:  

While women director’s still only comprise 6% of the top 250 Hollywood Films I am going to tell you something very shocking… More shocking than the pathetically low percentage of women DPs, directors, editors, and writers.  You might want to sit down for this one.  Let me start by saying I am a woman director and editor.  I’ve owned my own production company and am passionate about my work.  I am in great debt to every woman that came before me to fight for her rights and mine.  I would never change how hard women have fought for so many things that absolutely needed to be altered.  I’m grateful to my mom who was on the front lines of the women’s lib movement while carrying me in her baby carrier on her back.  She didn’t burn bras – she just wanted freedom from oppression.  She wanted equal pay, equal opportunity in the workplace. I will always admire her in every way.   

 

Yes, there is a but coming.  But, there’s one very serious problem with women’s lib  - I am from a lost generation of women now all in their 30’s and early 40’s – all single.  The word marriage makes us cringe.  The words mopping and cooking send shivers down our spine.  You see, our mothers were on the front lines even if they were only watching Miss America in Suburbia, USA.  Images came to their TV screen of women’s liberation protesters with signs saying “cattle auction” and “cattle parade is demeaning to human beings” and other wonderful slogans that were all very powerful.   They saw women protesting being objectified.  For many women in the US, this was the first real sign that things were boiling to the surface.  This needed to happen.  It was about time it happened.  In some ways it hasn’t happened enough.  

 

Inside many homes during this era women were finding ways of taking the protest to their front lines, but in many ways our mothers felt it was too late for them.  My mom still cooks every meal for my father to this day.  She irons for him, cleans for him, plans the calendar for him to complain about it – all while she’s still working at her job.  In my house my mom bought up all of the women’s press books she could find for little girls.  I loved those books.  Girls can build boxes too!  Girls have imaginations.  Girls can become anything.  It was so empowering!  But there was a negative side to it also. It came through comments and snickering about “never working for the man”.  I held my mom up high and never questioned the logic behind her angry venting words, “Don’t let a man treat you like his slave.  Don’t cook for him – make him make it himself.”  

 

I was too little to know she was just venting.  She kept it up my whole life so how could I know the difference?  Even newspapers had articles with women fighting hard for their right to work and “Mr. Mom” was a funny look at the role-reversal supposedly happening across America.  So we thought…. 

 

It’s only now, now that I’m single and 36 years old, that I realize all of my amazingly beautiful women friends are all single with me.  We have each other, but we all know it isn’t enough.  We want to have a relationship, care for a family and  keep our great careers.  We want it all.  We were told we could have it all.  We were taught that if we worked hard enough that we could have it ALL. 

 

Let me illustrate the point a bit better.  This past week I’ve been hosting a lovely, intelligent, and amazing woman from Italy.  She came to clear her mind of a man she loved and lived with for 9 years.  He left her for a woman he met through an Internet dating site.  Only six months after the break-up her ex-mate is getting married.  Did my amazing woman-friend really pale in comparison?  Well, as we got to the heart of the matter it turns out her mother taught her the exact same valuable lessons as mine.  ”You don’t need a man to make you happy”.  BUT between the street protests and the front lines inside our homes we got the message all mixed and it’s been taken too far.  In fact, we’ve been doing what our mothers said.  ”Your fine on your own – you don’t need a man.” and “Let him work for it if he wants to be with you.”  But while we were getting these messages our male counterparts were not.  Sure, they may come from Single Mother Households, but their mommy still did everything for them.  Okay, sure there are exceptions, but as a general rule the men our age did not jump many generations of ideology.  They saw mom doing everything.  When did that change?  To them it did not.  

 

For example, my Italian friend protested cooking for a man – just like me.  Which ultimately means she, like me, refused to cook period.  The scars run deep – our mothers across the globe from one another can’t understand how we’re still single and where did WE go wrong?  And suddenly it hit me – I wasn’t raised to be an equal partner.  I was raised to loathe anything that felt like, smelled like, tasted like, and was housework – “the woman’s place”.  My lost generation was taught that men should do their own laundry, their own cooking, their own cleaning.  Where is the partnership in that?  Is this the reason my friend is now single?  

 

The fact is that we are all single for many reasons and these are only a part of those reasons, but it does make me wonder how deep this goes.  One of my 41-year old friends was crying recently that none of her relationships pan out. When I suggested she make the call or bring him something nice she flat refused and defiantly said, “I would NEVER be the first to call” or “Why doesn’t he bring me something first?”.  I did the same in my past 3 failed relationships.  I put my career first and foremost (as I should).  BUT I stood my ground with no cooking, ironing, or doing his clothes.  No foot rubs when he comes home from work and if he got a back rub I’d ask where mine was.  It’s just as bad as having a cleaning house-chart when there are no kids.   That’s not equality.  Refusing to bring pleasure to a partner based on principle alone is a type of grandstanding which I now see has no place in a relationship.  

 

I’m not suggesting we throw feminist ideologies away.  Far from it.  And I’m certainly not suggesting that I wait on someone or become their maid.  But true equality means that I am happy and willing to pull my share with cooking, cleaning, ironing, etc.  We’re a team right?? If I don’t start acting like I’m a team in my next relationship then I’ll be right where I am right now – single, except older.  My ex-mate gave me great insight into this today.  He said, “You’re so independent in every other aspect of your life, but when it comes to personal life you can’t even take good care of yourself.  Think how much healthier you’d be if you cooked your own meals.”  

 

I was raised on frozen meals and take-out, but now that times are leaner and my health much more frail I need to learn how to cook for ME.  I need to know how to save a penny around the house for ME.  I need to throw out all of those underhanded remarks my mom made about housework and understand she was mad as hell and she didn’t want to take it anymore.  But my lost generation has gone to far – we’ve swung completely the opposite direction in protest of what we saw our mothers doing for our fathers.  I’ll never give up my passion for my work, but I now understand that if I learn how to cook I’m not giving up anything.  I’m just saying I want to be a team and I actually do like the idea of marriage, thank you very much mom.

But Mama, I love you so much and I am so grateful you’ve helped me to become ME.  I do not regret a single word you said.  I listened to everything and took it all in.  I only wish that I learned this lesson a bit sooner.  

Written by Tara Veneruso.  August 16th, 2009.

Posted in Resources / Research | 1 Comment »

HIRING FILM INDUSTRY POSITIONS

August 4th, 2009 by Tara Veneruso

Located in Hollywood, CA, Flaming Angel Films | The Edit Studio is a boutique-editing firm and Indie Film production company.  We’re currently in post-production on a feature film documentary, as well as post-prod on many other projects (http://www.flamingangelfilms.com). We’re seeking several teammates:

1) GREAT OPPORTUNITY FOR UP-AND-COMERS: We’re seeking a stellar multi-tasker for our production/personal assistant to aid the Producer.  This 35-40hrs a week job (with a mandatory Saturday) will include aiding in accounting, web & online presence and client relations.  Requirements: Mac AND PC proficient, major multi-tasker, meticulous, professional attitude, highly organized, good with numbers, strong communication skills, eager to contribute on all levels of production from making coffee to handling VIP clients.  Extra consideration for candidates with these skills: Data Management, QuickBooks, Final Cut Pro, Indie Film World, Bachelor’s degree with major in TV or Film Production and/or training equivalent of education preferred OR training in accounting. Paid Position.  Email resumes to: tv@flamingangelfilms.com and note “Assistant via MBW” in the subject of your email.

2) INTERNSHIP/APPRENTICESHIPS  – UNPAID
Production Assistant Internships available for 3 interns.  We will offer credits, networking opportunities and awesome experience.  We’re seeking teammates for hands-on-training in each of these three areas: editing, producing, and writing (online and for Podcasts).  Applicants must be willing to commit at least 20 hrs per week and MUST have a down-to-earth attitude, an excitement to learn, and a strong desire to WORK in the industry.   Additionally, candidates must be highly motivated, organized, Mac proficient and be willing to work.    Email resumes to: tv@flamingangelfilms.com.  Please note “internship via MBW” in subject of email.

3) Also: We know of a story researchers job that is urgently needed AND full-time  – although the job is temporary.  If you have worked in this area before feel free to send your resume along to us.

Posted in Industry News, Uncategorized | No Comments »

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